Hindi: Language, Discourse, [and] Writing, Volume 1Mahatma Gandhi International Hindi University, 2000 |
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Halaman 28
... thing - I'm not only talking about my film . You go and look closely at the most beautiful flower or something like that , you will discover a lot of violence in it . - - Vajpeyi : Perhaps it is only because of this that Rilke wrote ...
... thing - I'm not only talking about my film . You go and look closely at the most beautiful flower or something like that , you will discover a lot of violence in it . - - Vajpeyi : Perhaps it is only because of this that Rilke wrote ...
Halaman 178
... thing to be bad , it doesn't try to see , if , in the things it considers good , the bad has not gained entry in some other form . From where does modern Hindi literature get its yardsticks of good and bad ? Most certainly from an ...
... thing to be bad , it doesn't try to see , if , in the things it considers good , the bad has not gained entry in some other form . From where does modern Hindi literature get its yardsticks of good and bad ? Most certainly from an ...
Halaman 216
... thing . Without it we can't appreciate anyone . There is action in abstraction subcon- sciously ; it's the quality of space to have action in abstraction . There is scope for every- thing in theatre's space . It's the most secular thing ...
... thing . Without it we can't appreciate anyone . There is action in abstraction subcon- sciously ; it's the quality of space to have action in abstraction . There is scope for every- thing in theatre's space . It's the most secular thing ...
Isi
Ashok Vajpeyi | 11 |
The miller of Kosi | 35 |
A room in the tree | 46 |
Hak Cipta | |
37 bagian lainnya tidak diperlihatkan
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Istilah dan frasa umum
able accepted appeared asked beautiful become beginning believe blue body called century characters comes consider contemporary course created criticism culture death Delhi Dwivedi English existence experience eyes face fact father feel Galav girl give given hand happened Hariya Hindi human idea identity important Indian individual it's Kabir keep kind language later leave literary literature live look Madhavi Magadh meaning memory mind narrative nature never novel original perhaps person plays poems poet poetic poetry possible present problem question reason remains seems seen sense social society space standing story tell theatre thing thought tradition translation tree true truth turned understand Verma verse voice woman writing written Yayati