Hindi: Language, Discourse, [and] Writing, Volume 1Mahatma Gandhi International Hindi University, 2000 |
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Halaman 309
... remains a fringe factor , an upper class fad , a wormy carryover of the bureaucratic culture of Raj times . It throws into relief the as yet virginal monolinguism of the main characters . This inherent homogeneousness is what is being ...
... remains a fringe factor , an upper class fad , a wormy carryover of the bureaucratic culture of Raj times . It throws into relief the as yet virginal monolinguism of the main characters . This inherent homogeneousness is what is being ...
Halaman 93
... remains , nothing will but no one listens to me ! It's not the custom in Hastinapur to listen Those who listen are hard of hearing or have been appointed to pretend deafness I say again if no dharma remains , nothing will — but no one ...
... remains , nothing will but no one listens to me ! It's not the custom in Hastinapur to listen Those who listen are hard of hearing or have been appointed to pretend deafness I say again if no dharma remains , nothing will — but no one ...
Halaman 121
... remains , that pestilence will spread ? And what meaning remains , then , of Shatkaar's action of ' touching the roots to imagine the tree ' , and of his ' quivering ? " Why does man grow old ? Why does he die ? These questions were ...
... remains , that pestilence will spread ? And what meaning remains , then , of Shatkaar's action of ' touching the roots to imagine the tree ' , and of his ' quivering ? " Why does man grow old ? Why does he die ? These questions were ...
Isi
Ashok Vajpeyi | 11 |
The miller of Kosi | 35 |
A room in the tree | 46 |
Hak Cipta | |
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Istilah dan frasa umum
able accepted appeared asked beautiful become beginning believe blue body called century characters comes consider contemporary course created criticism culture death Delhi Dwivedi English existence experience eyes face fact father feel Galav girl give given hand happened Hariya Hindi human idea identity important Indian individual it's Kabir keep kind language later leave literary literature live look Madhavi Magadh meaning memory mind narrative nature never novel original perhaps person plays poems poet poetic poetry possible present problem question reason remains seems seen sense social society space standing story tell theatre thing thought tradition translation tree true truth turned understand Verma verse voice woman writing written Yayati