Hindi: Language, Discourse, [and] Writing, Volume 1Mahatma Gandhi International Hindi University, 2000 |
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Halaman 238
... identity , to seek it elsewhere , other than where these gazes direct him . In the first encounter , it is his solitude that the narrator loses . But that's not all ; along with his solitude he comes close to losing himself , his identity ...
... identity , to seek it elsewhere , other than where these gazes direct him . In the first encounter , it is his solitude that the narrator loses . But that's not all ; along with his solitude he comes close to losing himself , his identity ...
Halaman 258
... identity to itself . Personal identity is shaped and kept in an interaction between closed and open identification . The dense identity is the karmic one . Karmic necessity consists in the necessity of recognizing one's past as one's ...
... identity to itself . Personal identity is shaped and kept in an interaction between closed and open identification . The dense identity is the karmic one . Karmic necessity consists in the necessity of recognizing one's past as one's ...
Halaman 261
... identity , the same way a novel consists of words . A purely karmic identity cannot persist as a living identity ; left to itself it is no more than an inorganic accumulation . The future extends into the present , totality makes itself ...
... identity , the same way a novel consists of words . A purely karmic identity cannot persist as a living identity ; left to itself it is no more than an inorganic accumulation . The future extends into the present , totality makes itself ...
Isi
Ashok Vajpeyi | 11 |
The miller of Kosi | 35 |
A room in the tree | 46 |
Hak Cipta | |
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Istilah dan frasa umum
able accepted appeared asked beautiful become beginning believe blue body called century characters comes consider contemporary course created criticism culture death Delhi Dwivedi English existence experience eyes face fact father feel Galav girl give given hand happened Hariya Hindi human idea identity important Indian individual it's Kabir keep kind language later leave literary literature live look Madhavi Magadh meaning memory mind narrative nature never novel original perhaps person plays poems poet poetic poetry possible present problem question reason remains seems seen sense social society space standing story tell theatre thing thought tradition translation tree true truth turned understand Verma verse voice woman writing written Yayati