Hindi: Language, Discourse, [and] Writing, Volume 1Mahatma Gandhi International Hindi University, 2000 |
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Halaman 28
... accept this as cinema , then we will have to reject so much that we have ac- cepted as cinema before your work . So what we would like to do is to accept " Khayaal Gatha " as a work of art and not cinema . ' Can you imagine this was ...
... accept this as cinema , then we will have to reject so much that we have ac- cepted as cinema before your work . So what we would like to do is to accept " Khayaal Gatha " as a work of art and not cinema . ' Can you imagine this was ...
Halaman 215
... accept Islamic influence on Kabir . He seems to accept Kabir as a samyavadi . But this acceptance seems to rise from his desire to totalize Kabir . And again he forgets that by totalizing Kabir he is guilty of the same brahmanical ...
... accept Islamic influence on Kabir . He seems to accept Kabir as a samyavadi . But this acceptance seems to rise from his desire to totalize Kabir . And again he forgets that by totalizing Kabir he is guilty of the same brahmanical ...
Halaman 238
... Accept the offer . I'm willing to accept it . Galav : I'll get only two hundred horses , and that too after the birth of his son . Where will I search for the other horses ? Madhavi : There is no other option . Maharaj has no more ...
... Accept the offer . I'm willing to accept it . Galav : I'll get only two hundred horses , and that too after the birth of his son . Where will I search for the other horses ? Madhavi : There is no other option . Maharaj has no more ...
Isi
Ashok Vajpeyi | 11 |
The miller of Kosi | 35 |
A room in the tree | 46 |
Hak Cipta | |
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Edisi yang lain - Lihat semua
Istilah dan frasa umum
able accepted appeared asked beautiful become beginning believe blue body called century characters comes consider contemporary course created criticism culture death Delhi Dwivedi English existence experience eyes face fact father feel Galav girl give given hand happened Hariya Hindi human idea identity important Indian individual it's Kabir keep kind language later leave literary literature live look Madhavi Magadh meaning memory mind narrative nature never novel original perhaps person plays poems poet poetic poetry possible present problem question reason remains seems seen sense social society space standing story tell theatre thing thought tradition translation tree true truth turned understand Verma verse voice woman writing written Yayati