Hindi: Language, Discourse, [and] Writing, Volume 1Mahatma Gandhi International Hindi University, 2000 |
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Hasil 1-3 dari 43
Halaman 191
... Dwivedi been honest in his stuly of Kabir ? Truth and untruth can be established later , but let us first see what Dwivedi has to say about this himself . He writes towards the end of his book : .... the writer has no regrets for the ...
... Dwivedi been honest in his stuly of Kabir ? Truth and untruth can be established later , but let us first see what Dwivedi has to say about this himself . He writes towards the end of his book : .... the writer has no regrets for the ...
Halaman 213
... Dwivedi's Kabir . He takes the text to task , and creates a genealogy of Kabir's critics , establishing a link between Hariaudh , Das , Shukla and Dwivedi as a kind of mafia against Kabir . To keep Kabir's revolutionary explosiveness in ...
... Dwivedi's Kabir . He takes the text to task , and creates a genealogy of Kabir's critics , establishing a link between Hariaudh , Das , Shukla and Dwivedi as a kind of mafia against Kabir . To keep Kabir's revolutionary explosiveness in ...
Halaman 215
... Dwivedi ! He does not challenge the paradigms , built by Hariaudh , Das and others . Moreover , he appreciates Dwivedi when the latter accepts Kabir as being ' extraordinary ' . This extraordinariness comes from Kabir's ' prema bhakti ...
... Dwivedi ! He does not challenge the paradigms , built by Hariaudh , Das and others . Moreover , he appreciates Dwivedi when the latter accepts Kabir as being ' extraordinary ' . This extraordinariness comes from Kabir's ' prema bhakti ...
Isi
Ashok Vajpeyi | 11 |
The miller of Kosi | 35 |
A room in the tree | 46 |
Hak Cipta | |
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Istilah dan frasa umum
able accepted appeared asked beautiful become beginning believe blue body called century characters comes consider contemporary course created criticism culture death Delhi Dwivedi English existence experience eyes face fact father feel Galav girl give given hand happened Hariya Hindi human idea identity important Indian individual it's Kabir keep kind language later leave literary literature live look Madhavi Magadh meaning memory mind narrative nature never novel original perhaps person plays poems poet poetic poetry possible present problem question reason remains seems seen sense social society space standing story tell theatre thing thought tradition translation tree true truth turned understand Verma verse voice woman writing written Yayati