The Cambridge History of Twentieth-Century English LiteratureLaura Marcus, Peter Nicholls Cambridge University Press, 2004 - 886 halaman This new Cambridge History is the first major history of twentieth-centuryEnglish literature to cover the full range of writing in England, Scotland,Wales and Ireland. The volume also explores the impact of writing from theformer colonies on English literature of the period and analyses the waysin which conventional literary genres were shaped and inflected by the newcultural technologies of radio, cinema and television. This newvolume is a major event for anyone concerned with twentieth-centuryliterature, its cultural context and its relation to the contemporary. |
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Halaman viii
... memory 175 DEBORAH PARSONS II . The time - mind of the twenties 197 MICHAEL LEVENSON 12. Modern life : fiction and satire 218 DAVID BRADSHAW 13 Modernist poetry and poetics 232 RONALD BUSH 14 Modernity and myth 251 STEVEN CONNOR 15 ...
... memory 175 DEBORAH PARSONS II . The time - mind of the twenties 197 MICHAEL LEVENSON 12. Modern life : fiction and satire 218 DAVID BRADSHAW 13 Modernist poetry and poetics 232 RONALD BUSH 14 Modernity and myth 251 STEVEN CONNOR 15 ...
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Isi
III | 1 |
IV | 9 |
VI | 11 |
VIII | 30 |
IX | 50 |
X | 61 |
XI | 81 |
XII | 83 |
XXXIII | 417 |
XXXIV | 436 |
XXXV | 453 |
XXXVI | 455 |
XXXVII | 474 |
XXXVIII | 494 |
XXXIX | 510 |
XL | 528 |
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The Cambridge History of Twentieth-Century English Literature Laura Marcus,Peter Nicholls Pratinjau tidak tersedia - 2012 |
Istilah dan frasa umum
aesthetic anthology argued artists audience autobiography avant-garde become biography Britain British Cambridge characters cinema colonial consciousness contemporary critical cultural D. H. Lawrence decade drama early Edwardian England English Essays example experience Ezra Pound Faber & Faber feminist fiction film Ford Ford Madox Ford Freud gender genre human Ibid idea identity imaginative intellectual Irish James John Joyce language liberal literary literature lives London Mass-Observation memory modern Modernist movement myth narrative narrator novel novelists Parade's End Penguin period play poem poetic poetry poets political popular post-war Postcolonial Postmodern produced prose psychoanalysis published reader realism recognised romance satire Scottish sense sexual social society story Surrealism Surrealist T. S. Eliot television theatre tion tradition twentieth century University Press V. S. Naipaul verse Victorian Virginia Woolf voice W. B. Yeats Wales Welsh William women working-class writing Wyndham Lewis Yeats York