Legacy, Volume 5,Masalah 1Department of English, University of Massachusetts, 1988 |
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Halaman 7
... hero is really the villain surfaces in the juxtaposi- tions of the narrative sequence , in which the temporal conjunction and then- “ at once the most unrevealing and the most suggestive of narrative links " ( MacCaffrey 48 ) -stands in ...
... hero is really the villain surfaces in the juxtaposi- tions of the narrative sequence , in which the temporal conjunction and then- “ at once the most unrevealing and the most suggestive of narrative links " ( MacCaffrey 48 ) -stands in ...
Halaman 9
... hero , take her money and property , violate her , kill her , but often by a pervasive sense that the heroine is being falsely charged with feelings and intentions she does not have . This is part of the larger motif of the mis ...
... hero , take her money and property , violate her , kill her , but often by a pervasive sense that the heroine is being falsely charged with feelings and intentions she does not have . This is part of the larger motif of the mis ...
Halaman 13
... hero as projections of the hero- ine's attitude toward her sexuality . ' See Smith , Emmeline 377-78 , and Roche , Cler- mont 2 : 6-8 . As Hough points out in his discussion of allegory ( 135 ) . " See Hedges on contemporary , and ...
... hero as projections of the hero- ine's attitude toward her sexuality . ' See Smith , Emmeline 377-78 , and Roche , Cler- mont 2 : 6-8 . As Hough points out in his discussion of allegory ( 135 ) . " See Hedges on contemporary , and ...
Isi
Male and Female Mysteries in The Yellow Wallpaper Eugenia C DeLamotte | 3 |
Is Frances Ellen Watkins Harper Good Enough to Teach? Paul Lauter | 27 |
A Continuing Misattribition Sharon M Harris | 33 |
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