How to Read a Film: The World of Movies, Media, and Multimedia : Language, History, TheoryOxford University Press, 2000 - 672 halaman Looking at film from many vantage points, Monaco discusses the elements necessary to understand how a film conveys its meaning, and more importantly, how the audience can best discern all that a film is attempting to communicate. "An astute and thoroughgoing analysis".--"Publishers Weekly". 425 illustrations. |
Isi
I | 12 |
II | 17 |
III | 22 |
IV | 28 |
V | 38 |
VI | 62 |
VII | 68 |
VIII | 78 |
XXXI | 400 |
XXXII | 406 |
XXXIII | 417 |
XXXIV | 428 |
XXXV | 430 |
XXXVI | 440 |
XXXVII | 460 |
XXXVIII | 465 |
IX | 86 |
X | 100 |
XI | 124 |
XII | 128 |
XIII | 143 |
XIV | 145 |
XV | 152 |
XVI | 172 |
XVII | 228 |
XVIII | 232 |
XX | 261 |
XXI | 284 |
XXII | 285 |
XXIII | 288 |
XXIV | 294 |
XXV | 301 |
XXVI | 313 |
XXVII | 358 |
XXVIII | 388 |
XXIX | 391 |
XXX | 394 |
Edisi yang lain - Lihat semua
How to Read a Film: The Art, Technology, Language, History, and Theory of ... James Monaco Pratinjau terbatas - 1977 |
How to Read a Film: The Art, Technology, Language, History, and Theory of ... James Monaco Pratinjau terbatas - 1977 |
How to Read a Film: The World of Movies, Media, and Multimedia : Language ... James Monaco Pratinjau tidak tersedia - 1981 |
Istilah dan frasa umum
actors American film André Bazin artistic audience audio basic became beginning British broadcast cable Cahiers du Cinéma camera century cinema codes color comedy commercial critics culture D. W. Griffith directors disc dominated drama DVD-Video early editing effect eighties electronic elements esthetic example experience fifties Figure film history film industry Film Noir film theory filmmakers filmstock focus Frame enlargement genre Godard HDTV Hollywood important interesting Internet invention Jean-Luc Godard Kinetoscope language laserdisc late lens light major medium million Minitel mise-en-scène MOMA/FSA montage moving multimedia narrative networks novel optical photographic picture political popular produced programming radio Read a Film Realism reality recording relationship scene screen semiotics seventies shot signal significant sixties sound soundtrack star Steven Spielberg studio style success tape techniques television theater theatrical tion visual wave York

