Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 95
... suggests the rundown home has ended up in the factory . But it seems that this tiny gesture ( and the wavering frame that precedes it ) only indicates that Charlie Bucket's story occurred in the past and has now become a chap- ter of ...
... suggests the rundown home has ended up in the factory . But it seems that this tiny gesture ( and the wavering frame that precedes it ) only indicates that Charlie Bucket's story occurred in the past and has now become a chap- ter of ...
Halaman 122
... suggest that Mr. Banks ' transformation instead implies that the society will reform around him as the representative of ... suggests , by reflecting and ratifying those operations of power in its British setting ; rather it serves up a ...
... suggest that Mr. Banks ' transformation instead implies that the society will reform around him as the representative of ... suggests , by reflecting and ratifying those operations of power in its British setting ; rather it serves up a ...
Halaman 135
... suggests that it also harkens back to Porco Rosso and its protago- nist , likewise a " hollow hero " in a hybrid man - beast shape , a “ hero - avatar at a macho dead - end ” ( 31 ) . Osmond's argument is that both Porco Rosso and ...
... suggests that it also harkens back to Porco Rosso and its protago- nist , likewise a " hollow hero " in a hybrid man - beast shape , a “ hero - avatar at a macho dead - end ” ( 31 ) . Osmond's argument is that both Porco Rosso and ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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Istilah dan frasa umum
adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka