Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 90
... story of such a hero surmounting danger from giants ” ( Lewis's emphasis ) . He makes similar claims about the effects of pirates and Red Indians in stories , which he claims are " to the young reader almost as mythological as the ...
... story of such a hero surmounting danger from giants ” ( Lewis's emphasis ) . He makes similar claims about the effects of pirates and Red Indians in stories , which he claims are " to the young reader almost as mythological as the ...
Halaman 93
... story's import . In the final scene , the hitherto disembodied narrator asserts that family is more important than money . However , this message about the happiness that families produce is consistently undercut in the film , and in ...
... story's import . In the final scene , the hitherto disembodied narrator asserts that family is more important than money . However , this message about the happiness that families produce is consistently undercut in the film , and in ...
Halaman 103
... story's enduring popularity , first with children , and later with adults . Mel Stuart's 1971 musical version is a children's movie that remains extremely faithful to the original story , which is not surprising since Dahl wrote much of ...
... story's enduring popularity , first with children , and later with adults . Mel Stuart's 1971 musical version is a children's movie that remains extremely faithful to the original story , which is not surprising since Dahl wrote much of ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka