Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 93
... social well - being is individualized , social inequality is elided , and the problems of class are " transformed into personal failure " ( 89 ) . As a result , the problem of class tends to be attributed not to economic poverty , but ...
... social well - being is individualized , social inequality is elided , and the problems of class are " transformed into personal failure " ( 89 ) . As a result , the problem of class tends to be attributed not to economic poverty , but ...
Halaman 94
... social , cultural , and symbolic capital . By positioning Burton's remake of Charlie and the Choco- late Factory in terms of both economic and non - economic forms of capital and their implications for social mobility , participation ...
... social , cultural , and symbolic capital . By positioning Burton's remake of Charlie and the Choco- late Factory in terms of both economic and non - economic forms of capital and their implications for social mobility , participation ...
Halaman 115
... social relations " ( 122 ) , and present a world where men rule , rigid social hierar- chies are upheld , and racial and gender inequities are enforced through coded language and representations . He also suggests that films such as ...
... social relations " ( 122 ) , and present a world where men rule , rigid social hierar- chies are upheld , and racial and gender inequities are enforced through coded language and representations . He also suggests that films such as ...
Isi
Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka