Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 44
... shot , high angle , is look- ing down at the rock walls , and Gates , as the Fellowship flees after Gandalf's fall . The camera tracks them as they run onto open ground , from a long shot . After shots of members of the Fellowship ...
... shot , high angle , is look- ing down at the rock walls , and Gates , as the Fellowship flees after Gandalf's fall . The camera tracks them as they run onto open ground , from a long shot . After shots of members of the Fellowship ...
Halaman 45
... shot in Scene 11 where Merry and Pippin enter Fangorn forest - the woods are dark , and there's a medium shot , eye level of the two hobbits running into the woods , behind trees , through mist . When they finally sit , the camera cuts ...
... shot in Scene 11 where Merry and Pippin enter Fangorn forest - the woods are dark , and there's a medium shot , eye level of the two hobbits running into the woods , behind trees , through mist . When they finally sit , the camera cuts ...
Halaman 47
... shot of The Two Towers , and is 13 seconds long , consisting of a high angle shot of Frodo and Sam following Gollum through woods . The tree looks dry and dead . The camera moves up , losing focus on hobbits and pans over the dead ...
... shot of The Two Towers , and is 13 seconds long , consisting of a high angle shot of Frodo and Sam following Gollum through woods . The tree looks dry and dead . The camera moves up , losing focus on hobbits and pans over the dead ...
Isi
Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka