Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 47
... seen as they move from left to right . No growing thing can be seen in this barren land . That shot dissolves into a low angle shot from ground level as they continue to trudge across screen , moving slowly , more wearily than before ...
... seen as they move from left to right . No growing thing can be seen in this barren land . That shot dissolves into a low angle shot from ground level as they continue to trudge across screen , moving slowly , more wearily than before ...
Halaman 74
... seen in the film's treatment of the Pevensie children : gone are Lewis ' distinct and ingrained moral codes ( for example , in the book , even Lucy's older siblings have to admit that she never lies ) , replaced by a very modern sense ...
... seen in the film's treatment of the Pevensie children : gone are Lewis ' distinct and ingrained moral codes ( for example , in the book , even Lucy's older siblings have to admit that she never lies ) , replaced by a very modern sense ...
Halaman 122
... seen are associated with free- dom and revolution , and has bought string and paper to fix the kite that was broken in the opening scene of the movie . He has become a Franklin- like character . When they go to the park to fly their ...
... seen are associated with free- dom and revolution , and has bought string and paper to fix the kite that was broken in the opening scene of the movie . He has become a Franklin- like character . When they go to the park to fly their ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka