Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
Dari dalam buku
Hasil 1-3 dari 25
Halaman 133
... plot . Although movie Howl is also often absent from the castle , it is for a very different reason , and he lacks the rakish qualities of Jones's character . While Sophie does not know what he does during his absences , the audience is ...
... plot . Although movie Howl is also often absent from the castle , it is for a very different reason , and he lacks the rakish qualities of Jones's character . While Sophie does not know what he does during his absences , the audience is ...
Halaman 136
... plot - often fail to come together to form a new whole . As has been discussed in the previous section , the plot strands concerned with the war seem to be but echoes of Princess Mononoke and Porco Rosso , lacking the depth of the ...
... plot - often fail to come together to form a new whole . As has been discussed in the previous section , the plot strands concerned with the war seem to be but echoes of Princess Mononoke and Porco Rosso , lacking the depth of the ...
Halaman 137
... plot takes cen- ter stage . In such individual moments and images , Miyazaki's animation manages to free itself from the demands of the two plots- and flies . Notes 1. I do not wish to go into a long critical discussion on the ...
... plot takes cen- ter stage . In such individual moments and images , Miyazaki's animation manages to free itself from the demands of the two plots- and flies . Notes 1. I do not wish to go into a long critical discussion on the ...
Isi
Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
8 bagian lainnya tidak diperlihatkan
Edisi yang lain - Lihat semua
Istilah dan frasa umum
adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka