Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 153
... Never Never Land immediately calls into question the stability of gender conventions as expressed in the nursery . First , the fantastical appearance of a flying boy accompanied by a ball of light announces to the audience that the ...
... Never Never Land immediately calls into question the stability of gender conventions as expressed in the nursery . First , the fantastical appearance of a flying boy accompanied by a ball of light announces to the audience that the ...
Halaman 154
... Never Never Land . She is aware of her power , one she is unused to , and finds herself " melting over the beauty of her present per- formance " ( 131 ) . Never Never Land's secondary world femininity is ambiguously con- structed ...
... Never Never Land . She is aware of her power , one she is unused to , and finds herself " melting over the beauty of her present per- formance " ( 131 ) . Never Never Land's secondary world femininity is ambiguously con- structed ...
Halaman 161
... Never Never Land , then to reveal Sylvia and Barrie's immediate belief in the world that awaits her ; her dress transforms from invalid robes to those of a princess of the faërie realm when she walks out into Never Never Land , still ...
... Never Never Land , then to reveal Sylvia and Barrie's immediate belief in the world that awaits her ; her dress transforms from invalid robes to those of a princess of the faërie realm when she walks out into Never Never Land , still ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka