Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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... narrative subtlety , Adamson has dimin- ished the religious allegory of Lewis ' books and replaced it with chase and battle scenes . Moreover , the moral certitude of Lewis's work is replaced by a more contemporary ambivalence . Aslan's ...
... narrative subtlety , Adamson has dimin- ished the religious allegory of Lewis ' books and replaced it with chase and battle scenes . Moreover , the moral certitude of Lewis's work is replaced by a more contemporary ambivalence . Aslan's ...
Halaman 5
... narrative a mul- ticultural appeal . In addition , the director makes a skeptic of the protago- nist in order to emphasize the necessity of faith in pursuit of the fantastic , in the triumph of imagination over reality . Sarah E ...
... narrative a mul- ticultural appeal . In addition , the director makes a skeptic of the protago- nist in order to emphasize the necessity of faith in pursuit of the fantastic , in the triumph of imagination over reality . Sarah E ...
Halaman 36
... narrative theory to film . In The Rhetoric of Fiction , Booth argues that it is not only possible but necessary in literary criticism to dis- tinguish between the historical or real author of a text and the implied author which is a ...
... narrative theory to film . In The Rhetoric of Fiction , Booth argues that it is not only possible but necessary in literary criticism to dis- tinguish between the historical or real author of a text and the implied author which is a ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka