Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 21
... means of compression . Yet such a film may be a masterpiece in its own right while still doing justice to its source tale . It can recreate rather than mimic , revitalize rather than preserve . Peter Jackson's cinematic adap- tation of ...
... means of compression . Yet such a film may be a masterpiece in its own right while still doing justice to its source tale . It can recreate rather than mimic , revitalize rather than preserve . Peter Jackson's cinematic adap- tation of ...
Halaman 48
... means that scholars are ignoring some of the constitutive elements of the medium . Such an approach means that always , inevitably , the film will be judged as inferior to the book . I do not take the opposite approach ( arguing for the ...
... means that scholars are ignoring some of the constitutive elements of the medium . Such an approach means that always , inevitably , the film will be judged as inferior to the book . I do not take the opposite approach ( arguing for the ...
Halaman 124
... means of repre- sentation are concerned . More often than not this realism is skin deep only , the conventionalized appearance of reality , and thus already at a remove from what it purports to depict ; nevertheless , audiences glutted ...
... means of repre- sentation are concerned . More often than not this realism is skin deep only , the conventionalized appearance of reality , and thus already at a remove from what it purports to depict ; nevertheless , audiences glutted ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka