Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 66
... kings and knows that if he and the quest succeed , he will be king of Gon- dor and Arnor . It is his birthright . In the films , Aragorn takes on the char- acteristics of the " realist ” hero that Flieger argues the text reserves for ...
... kings and knows that if he and the quest succeed , he will be king of Gon- dor and Arnor . It is his birthright . In the films , Aragorn takes on the char- acteristics of the " realist ” hero that Flieger argues the text reserves for ...
Halaman 68
... king . " ( sc . 39 ) . Throughout the next two movies , Aragorn gradually takes on more responsibility , becoming a leader of men , but it is here that he himself first believes in his own power to lead , in his right to be king . It is ...
... king . " ( sc . 39 ) . Throughout the next two movies , Aragorn gradually takes on more responsibility , becoming a leader of men , but it is here that he himself first believes in his own power to lead , in his right to be king . It is ...
Halaman 70
... king- ship of Gondor . As his armies face the hordes pouring from the Black Gates , Aragorn takes Legolas's damaging words in Helm's Deep and turns them into a statement of brotherhood , an acknowledgement of their common weakness as ...
... king- ship of Gondor . As his armies face the hordes pouring from the Black Gates , Aragorn takes Legolas's damaging words in Helm's Deep and turns them into a statement of brotherhood , an acknowledgement of their common weakness as ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka