Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 58
... fear he feels at this point , trusting his master and allowing himself to express only wonder as he looks for the first time " across lands he had never seen to a new horizon " ( FR , I , iii , 82 ) . In the text , Sam's courage to face ...
... fear he feels at this point , trusting his master and allowing himself to express only wonder as he looks for the first time " across lands he had never seen to a new horizon " ( FR , I , iii , 82 ) . In the text , Sam's courage to face ...
Halaman 59
... fear , falters , makes mistakes " ( 41 ) . Flieger never addresses Sam in her discussion of Frodo , never addresses the fact that her " common man " is also a master , and yet this is not the contradiction it might seem , for she places ...
... fear , falters , makes mistakes " ( 41 ) . Flieger never addresses Sam in her discussion of Frodo , never addresses the fact that her " common man " is also a master , and yet this is not the contradiction it might seem , for she places ...
Halaman 90
... fear ) we have on being told that there is a tiger in the next room , is different in quality to the “ uncanny ” fear we might have on learning there is a ghost in the next room ( 4-5 ) . In the same way , we might distinguish the ...
... fear ) we have on being told that there is a tiger in the next room , is different in quality to the “ uncanny ” fear we might have on learning there is a ghost in the next room ( 4-5 ) . In the same way , we might distinguish the ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka