Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 94
... Factory is similarly com- posed . In terms of class hierarchy , the characters exist within a tight sym- bolic framework in which factory workers and factory owners are visually opposed to each other . They are also embedded in the ...
... Factory is similarly com- posed . In terms of class hierarchy , the characters exist within a tight sym- bolic framework in which factory workers and factory owners are visually opposed to each other . They are also embedded in the ...
Halaman 95
... factory while Charlie is inducted into the business . But Bur- ton's version shifts this final success for the Buckets so that Charlie's father goes back to work in the toothpaste factory that had earlier made him redun- dant , and all ...
... factory while Charlie is inducted into the business . But Bur- ton's version shifts this final success for the Buckets so that Charlie's father goes back to work in the toothpaste factory that had earlier made him redun- dant , and all ...
Halaman 96
... Factory unintentionally reinscribe those beliefs necessary for the continued dominance of capitalism and the class differences it encodes in the contem- porary western world . However , the film cannot be easily divorced from its ...
... Factory unintentionally reinscribe those beliefs necessary for the continued dominance of capitalism and the class differences it encodes in the contem- porary western world . However , the film cannot be easily divorced from its ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
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Istilah dan frasa umum
adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka