Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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... evil . He thus symbolizes human innocence before the Fall . In contrast , the Ring is in its very creation evil and with a will of its own , completely outside of Bombadil's ken . Hence , he would see no reason to destroy it or desire ...
... evil . He thus symbolizes human innocence before the Fall . In contrast , the Ring is in its very creation evil and with a will of its own , completely outside of Bombadil's ken . Hence , he would see no reason to destroy it or desire ...
Halaman 65
... evil - doers . While in the books , Aragorn has “ immortal ancestry , " being of mixed blood , the descen- dant of the distant " union of Elves and Men " ( Flieger 44 ) , in the films , there is no such mixing . Men , in the films , are ...
... evil - doers . While in the books , Aragorn has “ immortal ancestry , " being of mixed blood , the descen- dant of the distant " union of Elves and Men " ( Flieger 44 ) , in the films , there is no such mixing . Men , in the films , are ...
Halaman 166
... evil and destruction . The conical hat with a wide brim is a more complicated symbol with- out a clear , definable lineage . Many modern interpretations of the hat relate it to the tendency to see the witch as unfashionable . According ...
... evil and destruction . The conical hat with a wide brim is a more complicated symbol with- out a clear , definable lineage . Many modern interpretations of the hat relate it to the tendency to see the witch as unfashionable . According ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka