Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
Dari dalam buku
Hasil 1-3 dari 20
Halaman 10
... effects techniques and locations developed for The Lord of the Rings in other films , most notably Excalibur in 1981 ... effect : And here comes the horror story , right ? ... Boorman handed in this 700 - page script ... [ The studio ...
... effects techniques and locations developed for The Lord of the Rings in other films , most notably Excalibur in 1981 ... effect : And here comes the horror story , right ? ... Boorman handed in this 700 - page script ... [ The studio ...
Halaman 38
... effects , " and that this " neglect ... has had the unfortunate effect of ceding important ground to Tolkien's detractors , who , with simple unana- lyzed quotations , point to some work or turn of phrase and , in essence , sniff that ...
... effects , " and that this " neglect ... has had the unfortunate effect of ceding important ground to Tolkien's detractors , who , with simple unana- lyzed quotations , point to some work or turn of phrase and , in essence , sniff that ...
Halaman 44
... effect of the cinematography and lighting despite com- monalities in setting . The light is a definite contrast to the darkness of the night they entered Moria ; the sunlight , white rocks , and snow are almost blinding after the ...
... effect of the cinematography and lighting despite com- monalities in setting . The light is a definite contrast to the darkness of the night they entered Moria ; the sunlight , white rocks , and snow are almost blinding after the ...
Isi
Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
8 bagian lainnya tidak diperlihatkan
Edisi yang lain - Lihat semua
Istilah dan frasa umum
adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka