Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 27
... begins the Wicked Witch , viewing Dorothy's party en route to Oz . " So Gandalf , " begins Saruman , when he learns the good wizard intends to lead the Fellowship through Moria . ยท The Witch on her bicycle or broomstick , her cape ...
... begins the Wicked Witch , viewing Dorothy's party en route to Oz . " So Gandalf , " begins Saruman , when he learns the good wizard intends to lead the Fellowship through Moria . ยท The Witch on her bicycle or broomstick , her cape ...
Halaman 44
... begins to move to the next stage of their journey . The camera moves from Aragorn running to a shot from behind him , eye - level , with his head nearly in the center but looking out over a long view of water , woods , and hills which ...
... begins to move to the next stage of their journey . The camera moves from Aragorn running to a shot from behind him , eye - level , with his head nearly in the center but looking out over a long view of water , woods , and hills which ...
Halaman 137
... begins in contemporary Japan but is also grounded in Japanese folklore and Shinto beliefs . Cf. Boyd and Nishimura 2004 . 6. There are exceptions , perhaps most markedly Princess Mononoke with its viscerally violent battle sequences ...
... begins in contemporary Japan but is also grounded in Japanese folklore and Shinto beliefs . Cf. Boyd and Nishimura 2004 . 6. There are exceptions , perhaps most markedly Princess Mononoke with its viscerally violent battle sequences ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka