Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 28
... appears in negative sepia color , backlit , with her hair flying and eyes preternaturally bright , as she faces down her temptation . Frodo , in Mount Doom , fails to resist that same temptation , and we see him back- lit by the fires ...
... appears in negative sepia color , backlit , with her hair flying and eyes preternaturally bright , as she faces down her temptation . Frodo , in Mount Doom , fails to resist that same temptation , and we see him back- lit by the fires ...
Halaman 32
... appears as a “ mere ranger . " Angst - ridden , he mourns his past at the shards of Narsil and his mother's tomb . He tries to avoid his destiny as king repeatedly and even appears reluctant as he takes a deep breath at his coronation ...
... appears as a “ mere ranger . " Angst - ridden , he mourns his past at the shards of Narsil and his mother's tomb . He tries to avoid his destiny as king repeatedly and even appears reluctant as he takes a deep breath at his coronation ...
Halaman 137
... appear otherwise . It is in those scenes that free themselves of the two plots and are purely about the world and characters ... appears as a living being in ani- mation . These scenes find a visual humor that recalls the verbal wit and ...
... appear otherwise . It is in those scenes that free themselves of the two plots and are purely about the world and characters ... appears as a living being in ani- mation . These scenes find a visual humor that recalls the verbal wit and ...
Isi
Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka