Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 73
... action blockbuster , decked out in all the requisite action sequences and epic battles demanded by modern fantasy filmgoers , they have lost sight of Lewis ' Narnia and its peculiarly intimate blend of naiveté and pathos . Rather than ...
... action blockbuster , decked out in all the requisite action sequences and epic battles demanded by modern fantasy filmgoers , they have lost sight of Lewis ' Narnia and its peculiarly intimate blend of naiveté and pathos . Rather than ...
Halaman 77
... action - flick standards than traditional fantasy storytelling . The most obviously action - enhanced sequence is the melting river scene . Here , the children and their protectors , the Beavers , face a perilous crossing over ...
... action - flick standards than traditional fantasy storytelling . The most obviously action - enhanced sequence is the melting river scene . Here , the children and their protectors , the Beavers , face a perilous crossing over ...
Halaman 78
... action scenes is the presence of both Lucy and Susan on the final battlefield , and their active participation in the fight . Lewis's books reflect a very conserva- tive idea of gender roles , and he has his Father Christmas espouse ...
... action scenes is the presence of both Lucy and Susan on the final battlefield , and their active participation in the fight . Lewis's books reflect a very conserva- tive idea of gender roles , and he has his Father Christmas espouse ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka