Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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... wizard intends to lead the Fellowship through Moria . ยท The Witch on her bicycle or broomstick , her cape flying about her , could offer a model for Jackson's Black Riders- insubstantial and ghostly in Tolkien's text - in their flying ...
... wizard intends to lead the Fellowship through Moria . ยท The Witch on her bicycle or broomstick , her cape flying about her , could offer a model for Jackson's Black Riders- insubstantial and ghostly in Tolkien's text - in their flying ...
Halaman 172
... Wizard is a more frightening , more disturbing , and less hospitable place ... may partially explain why Baum's sunlit world has been the inspi- ration for a number of dark visions " ( Riley 58 ) . This quotation refers to The Wiz and ...
... Wizard is a more frightening , more disturbing , and less hospitable place ... may partially explain why Baum's sunlit world has been the inspi- ration for a number of dark visions " ( Riley 58 ) . This quotation refers to The Wiz and ...
Halaman 174
... Wizard . Her song contains much dramatic irony for the audience which already knows the conclusion of the story . First , she idolizes the Wizard , anticipating a posi- tive relationship with him and even imagining the Wizard ...
... Wizard . Her song contains much dramatic irony for the audience which already knows the conclusion of the story . First , she idolizes the Wizard , anticipating a posi- tive relationship with him and even imagining the Wizard ...
Isi
Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka