Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 163
... Wicked questions traditional oppressive binaries , break- ing down the definite distinction between good and evil . This essay explores the witch image in European folklore , L. Frank Baum's original book The Wonderful Wizard of Oz ...
... Wicked questions traditional oppressive binaries , break- ing down the definite distinction between good and evil . This essay explores the witch image in European folklore , L. Frank Baum's original book The Wonderful Wizard of Oz ...
Halaman 168
... wicked witches of the East and West are asso- ciated with the negative feminine attributes . While the Wicked Witch of the West is the primary antagonist of the story , she appears in only two chapters . Baum describes her as having ...
... wicked witches of the East and West are asso- ciated with the negative feminine attributes . While the Wicked Witch of the West is the primary antagonist of the story , she appears in only two chapters . Baum describes her as having ...
Halaman 173
... Wicked , which challenges the distinction between good and evil , exploring this moral ambiguity by playing off the ... wicked , " thus the musical takes us on a jour- ney from goodness to wickedness and everywhere in between . Although ...
... Wicked , which challenges the distinction between good and evil , exploring this moral ambiguity by playing off the ... wicked , " thus the musical takes us on a jour- ney from goodness to wickedness and everywhere in between . Although ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka