Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 142
... Santa Claus . For no apparent reason , Santa selects this rich white male child to receive the first gift of Christmas . The book , therefore , lacks universal appeal and could suggest to some peo- ple that Santa Claus cares mostly ...
... Santa Claus . For no apparent reason , Santa selects this rich white male child to receive the first gift of Christmas . The book , therefore , lacks universal appeal and could suggest to some peo- ple that Santa Claus cares mostly ...
Halaman 143
... Santa's existence . One headline covers a Santa walk- out at a department store , " Santas on Strike ! " The idea of mercenary Santas who place salaries and economic interests above children contradicts the Hero Boy's conception of the ...
... Santa's existence . One headline covers a Santa walk- out at a department store , " Santas on Strike ! " The idea of mercenary Santas who place salaries and economic interests above children contradicts the Hero Boy's conception of the ...
Halaman 147
... Santa and Hitler , he is correct , nonetheless , that the setting in Van Allsburg's book seems dark and foreboding . But in the film , unlike in the book , the conflict arises from the Hero Boy's encounter with new friends and their ...
... Santa and Hitler , he is correct , nonetheless , that the setting in Van Allsburg's book seems dark and foreboding . But in the film , unlike in the book , the conflict arises from the Hero Boy's encounter with new friends and their ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka