Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 128
... Ingary that Miyazaki evokes , a place more historically specific in its aesthet- ics than Jones's own Ingary . The castle is a rotund collage of chimneys , roofs , steam pipes , and other odd appendages , borne along on mechanized bird ...
... Ingary that Miyazaki evokes , a place more historically specific in its aesthet- ics than Jones's own Ingary . The castle is a rotund collage of chimneys , roofs , steam pipes , and other odd appendages , borne along on mechanized bird ...
Halaman 129
... Ingary of the novel . The world his film depicts is more readily impressive , and it is more historically and geographically specific than Jones's folk tale world . His Ingary is a steam- and electricity - powered place inspired by the ...
... Ingary of the novel . The world his film depicts is more readily impressive , and it is more historically and geographically specific than Jones's folk tale world . His Ingary is a steam- and electricity - powered place inspired by the ...
Halaman 130
... Ingary , whereas the Otherworld on the other side of the portal ( the magic door leading out of Howl's castle ) that ought to be familiar , being our own essentially unfantas- tic world , is defamiliarized , made strange ( cf ...
... Ingary , whereas the Otherworld on the other side of the portal ( the magic door leading out of Howl's castle ) that ought to be familiar , being our own essentially unfantas- tic world , is defamiliarized , made strange ( cf ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka