Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
Dari dalam buku
Hasil 1-3 dari 24
Halaman 24
... Gandalf is a Maia , an agent of divine beings who actively involve themselves in the salvation of Middle Earth , or that Sauron is a fallen Vala , the top echelon of such beings and clearly represen- tative of Lucifer . Gone are the ...
... Gandalf is a Maia , an agent of divine beings who actively involve themselves in the salvation of Middle Earth , or that Sauron is a fallen Vala , the top echelon of such beings and clearly represen- tative of Lucifer . Gone are the ...
Halaman 46
... Gandalf riding into Gondor ( excluding their dialogue ) , Frodo and Sam in the Morgai , and Aragorn and Gandalf on Mount Min- dolluin . The most detailed descriptions of the land occur in Book VI , as Frodo and Sam struggle to cross the ...
... Gandalf riding into Gondor ( excluding their dialogue ) , Frodo and Sam in the Morgai , and Aragorn and Gandalf on Mount Min- dolluin . The most detailed descriptions of the land occur in Book VI , as Frodo and Sam struggle to cross the ...
Halaman 57
... Gandalf catches Sam eavesdropping at the window , and this scene further illuminates how different Peter Jackson's social vision is from Tolkien's ( sc . 8 ) .1 As in the text version , Gandalf hears a noise outside as he is telling ...
... Gandalf catches Sam eavesdropping at the window , and this scene further illuminates how different Peter Jackson's social vision is from Tolkien's ( sc . 8 ) .1 As in the text version , Gandalf hears a noise outside as he is telling ...
Isi
Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
8 bagian lainnya tidak diperlihatkan
Edisi yang lain - Lihat semua
Istilah dan frasa umum
adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka