Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 143
... Express . The conductor peers intently into the boy's eyes in an effort to con- vince him to board , yet the boy backs away , declining to enter the train . The conductor gives up on the Hero Boy and starts the train , at which time the ...
... Express . The conductor peers intently into the boy's eyes in an effort to con- vince him to board , yet the boy backs away , declining to enter the train . The conductor gives up on the Hero Boy and starts the train , at which time the ...
Halaman 144
... Express do not discern the boy's skepticism toward Santa Claus because Van Allsburg does not include it in the book ; but if he did , it would be difficult to portray this doubt because the boy hardly talks to anyone ( just two words to ...
... Express do not discern the boy's skepticism toward Santa Claus because Van Allsburg does not include it in the book ; but if he did , it would be difficult to portray this doubt because the boy hardly talks to anyone ( just two words to ...
Halaman 148
... Express , he awakes on Christmas morning to find the sleigh bell and a letter from Santa . The note , like the bell , is tangible , empirical , and incontrovertible evidence of the existence of both Santa and the Polar Express . Thus ...
... Express , he awakes on Christmas morning to find the sleigh bell and a letter from Santa . The note , like the bell , is tangible , empirical , and incontrovertible evidence of the existence of both Santa and the Polar Express . Thus ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka