Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 157
... Barrie's imagination to run rampant , lead- ing to the ideas for " the play . " His intention to create a world to save the boys from their grief and to allow himself further into their lives demonstrates the real - life Barrie's sense ...
... Barrie's imagination to run rampant , lead- ing to the ideas for " the play . " His intention to create a world to save the boys from their grief and to allow himself further into their lives demonstrates the real - life Barrie's sense ...
Halaman 159
... Barrie's own life , his mother complex was clear ; consequently , his own first mas- querade as his dead brother to awaken a will to live in his mother haunts the narrative through the portrayals of both mothers in Finding Neverland ...
... Barrie's own life , his mother complex was clear ; consequently , his own first mas- querade as his dead brother to awaken a will to live in his mother haunts the narrative through the portrayals of both mothers in Finding Neverland ...
Halaman 161
... Barrie is returned to silence while Peter Pan and his art speak for him , Peter Pan is exemplified by both genders - female actress playing the male Peter in the presence of both Peters - literally breaks through the fourth wall of ...
... Barrie is returned to silence while Peter Pan and his art speak for him , Peter Pan is exemplified by both genders - female actress playing the male Peter in the presence of both Peters - literally breaks through the fourth wall of ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
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Istilah dan frasa umum
adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka