Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 74
... Aslan before they discover that Edmund is missing ; indeed , it is because the children and the Beavers are so engaged in discussing Aslan and the prophecy of the thrones in Cair Paravel that they fail to notice his depar- ture . In the ...
... Aslan before they discover that Edmund is missing ; indeed , it is because the children and the Beavers are so engaged in discussing Aslan and the prophecy of the thrones in Cair Paravel that they fail to notice his depar- ture . In the ...
Halaman 75
... Aslan , providing the children with the religiously - imbued means to perform the task that Aslan and the prophecy have set for them . The film's neglect of this religious emphasis in favor of a more modern , individualist approach does ...
... Aslan , providing the children with the religiously - imbued means to perform the task that Aslan and the prophecy have set for them . The film's neglect of this religious emphasis in favor of a more modern , individualist approach does ...
Halaman 76
... Aslan's already fitted out your army ! " It is almost as if the children have brought about Aslan's return and are the source of his power . Nor is it only the children whose significance seems proportionately greater than Aslan's . In ...
... Aslan's already fitted out your army ! " It is almost as if the children have brought about Aslan's return and are the source of his power . Nor is it only the children whose significance seems proportionately greater than Aslan's . In ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
Hak Cipta | |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka