Fantasy Fiction Into Film: EssaysLeslie Stratyner, James R. Keller McFarland, Incorporated, Publishers, 18 Jul 2007 - 197 halaman This work examines the symbolism of fantasy fiction, literal and figurative representation in fantastic film adaptations, and the imaginative differences between page and screen. Essays focus on movies adapted from various types of fantasy fiction--novels, short stories and graphic novels--and study the transformation and literal translation from text to film in the Lord of the Rings, The Chronicles of Narnia, Charlie and the Chocolate Factory, Howl's Moving Castle, Finding Neverland, The Wizard of Oz, Wicked and Practical Magic. |
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Halaman 145
... Allsburg focuses his attention on the journey itself— on the train , the wolves , the elves , and the North Pole . Perhaps the author is most concerned with the entire train experience rather than with the Hero Boy's individual journey ...
... Allsburg focuses his attention on the journey itself— on the train , the wolves , the elves , and the North Pole . Perhaps the author is most concerned with the entire train experience rather than with the Hero Boy's individual journey ...
Halaman 147
... Allsburg's book seems dark and foreboding . But in the film , unlike in the book , the conflict arises from the Hero Boy's encounter with new friends and their efforts to meet Santa . In the movie , there is conflict because the Lonely ...
... Allsburg's book seems dark and foreboding . But in the film , unlike in the book , the conflict arises from the Hero Boy's encounter with new friends and their efforts to meet Santa . In the movie , there is conflict because the Lonely ...
Halaman 148
... Allsburg's books [ i ] magination is " real , " that the world in the mind , including the child's world of fantasy , is actual , true , even tangible . That may be a difficult concept for a child , but one of the most remarkable ...
... Allsburg's books [ i ] magination is " real , " that the world in the mind , including the child's world of fantasy , is actual , true , even tangible . That may be a difficult concept for a child , but one of the most remarkable ...
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Fantasy Fiction into Film | 1 |
Peter Jacksons Film | 21 |
The Grammar of Middleearth | 35 |
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adaptation Allsburg Aragorn argues Arwen Aslan audience Bakshi Banks Barrie Barrie's Baum's Bert Bilbo Boorman Boromir Bucket Burton's film C.S. Lewis characters Charlie Charlie's child Chocolate Factory cinematic clauses Conkling critics cultural Dahl's novel Edited Edmund Elphaba epic Essays evil fantasy Fellowship fiction film's Finding Neverland Frodo Gandalf gender Gillian Glinda golden ticket Gollum Gondor grammatical subjects Hero Boy Hero Girl hobbits Howl Howl's Moving Castle imagination Ingary J.R.R. Tolkien Jackson's films Jackson's The Lord Janet Brennan journey king land Lion literary literature Mary Poppins medieval Middle-earth Minas Tirith Miyazaki's Mordor Moria movie Mythopoeic Press Narnia narrative never Oompas Peter Jackson's Peter Pan play plot Polar Express Rings Rohan role Sally Santa Saruman says scene screen script sense shot Sophie story Stuart's Sylvia tells theme Theoden tion Tolkien's transformation visual Wardrobe Wendy Wicked Witch Wizard of Oz Wonka