Theories of Art: From Impressionism to Kandinsky, Volume 2

abstract art abstract painting aesthetic Alois Riegl anthroposophy art theory artists attitude aware believed Bergson called cave paintings color composition concept concerned Conrad Fiedler context critics culture decades discussion doctrine Egyptian art emotional empathy European expression Fechner Fiedler figure founders of abstract Friedrich Theodor Vischer Gaston Maspero Gauguin Goncourts haptic harmony Hildebrand human ideas ideoplastic impact impressionism impressionists intellectual Kandinsky Kandinsky's Kunstwollen looking mainly material means mind modern Mondrian movement nature nineteenth century objects original painters Paul Valéry perceived perception philosophical prehistoric art primitive art primitivism problems psychology pure question reality reflection on art Renaissance representation Riegl Robert Vischer sculpture Semper sense shapes significance specific spectator Spiritual in Art stage student style subject matter term theoretical theory of art theosophy thought tion tradition trend ture twentieth century Verworn Vischer visual arts visual experience Worringer wrote