Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11 Okt 2013 - 272 halaman First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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Halaman 17
... Images to be over - abundantly furnished in all Languages already . And though my Noble Friend had that dexterity ... Images of Life , than the Images of Wit , and therefore chose not to write to them on whose foot the black Oxe had not ...
... Images to be over - abundantly furnished in all Languages already . And though my Noble Friend had that dexterity ... Images of Life , than the Images of Wit , and therefore chose not to write to them on whose foot the black Oxe had not ...
Halaman 18
... images of wit and the images of life , especially since the former have just been defined by reference to Sidney's Arcadia , that monument to the golden style . Furthermore , it should be noted that Greville's well - known description ...
... images of wit and the images of life , especially since the former have just been defined by reference to Sidney's Arcadia , that monument to the golden style . Furthermore , it should be noted that Greville's well - known description ...
Halaman 40
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Isi
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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Istilah dan frasa umum
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York