Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11 Okt 2013 - 272 halaman First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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Halaman 10
... fear to be tyrants , and tyrants manifest their tyrannical humours ; that , with stirring the affects of admiration and commiseration , teacheth the uncer- tainty of this world , and upon how weak foundations gilden roofs are builded ...
... fear to be tyrants , and tyrants manifest their tyrannical humours ; that , with stirring the affects of admiration and commiseration , teacheth the uncer- tainty of this world , and upon how weak foundations gilden roofs are builded ...
Halaman 11
... fear ' . ' Fear ' itself he reserves for the royal spectator ( 1. 17 ) , or he relegates it to the tragic theme , as in the couplet ' Qui sceptra etc. ' . ' Who harshly wields the sceptre with tyrannic sway , fears those who fear ...
... fear ' . ' Fear ' itself he reserves for the royal spectator ( 1. 17 ) , or he relegates it to the tragic theme , as in the couplet ' Qui sceptra etc. ' . ' Who harshly wields the sceptre with tyrannic sway , fears those who fear ...
Halaman 12
... fear ' , and if even the abominable Alexander Pheraeus weeps , of course the rest of us must experience similar emotions . Likewise with won- der , which , Cunningham suggests , was sometimes regarded as a species of fear ( CE , p . 16 ) ...
... fear ' , and if even the abominable Alexander Pheraeus weeps , of course the rest of us must experience similar emotions . Likewise with won- der , which , Cunningham suggests , was sometimes regarded as a species of fear ( CE , p . 16 ) ...
Halaman 14
... fears and partly because , as an uxorious husband , he is susceptible to Rossa's insinuations about her step - son's ambitions . Rossa plots against Mustapha in order to make her own son , Zanger , Soliman's chief heir ; and she is ...
... fears and partly because , as an uxorious husband , he is susceptible to Rossa's insinuations about her step - son's ambitions . Rossa plots against Mustapha in order to make her own son , Zanger , Soliman's chief heir ; and she is ...
Halaman 15
... fears in the next scene . His actual response to that report is an intensification and a widening of his initial remarks . Alas ! Could neither Truth appease his [ Soliman's ] furie ? Nor his [ Mustapha's ] vnlook'd Humilitie of comming ...
... fears in the next scene . His actual response to that report is an intensification and a widening of his initial remarks . Alas ! Could neither Truth appease his [ Soliman's ] furie ? Nor his [ Mustapha's ] vnlook'd Humilitie of comming ...
Isi
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York