Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11 Okt 2013 - 272 halaman First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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Halaman 3
... fact so impor- tant . For a similar reason , the language of a play should bear close inspection moment by moment . Passages isolated for analysis should return us , finally , to a renewed sense of the meaning and form of the whole ...
... fact so impor- tant . For a similar reason , the language of a play should bear close inspection moment by moment . Passages isolated for analysis should return us , finally , to a renewed sense of the meaning and form of the whole ...
Halaman 9
... fact are debatable . In the first place , he is mistaken to conclude prima facie that the first voice , the one heard earlier in the treatise , is ' the one that speaks the more effectively for the poetry of the Elizabethan period ...
... fact are debatable . In the first place , he is mistaken to conclude prima facie that the first voice , the one heard earlier in the treatise , is ' the one that speaks the more effectively for the poetry of the Elizabethan period ...
Halaman 10
... fact , with the truth of his- tory , may well find the affirmations of the plain style suit- able to its purposes . But again , Sidney does not say so . In fact , his brief paragraph outlining an affective theory of tragedy does not say ...
... fact , with the truth of his- tory , may well find the affirmations of the plain style suit- able to its purposes . But again , Sidney does not say so . In fact , his brief paragraph outlining an affective theory of tragedy does not say ...
Halaman 14
... facts lend the keenest interest to his initial remarks and to his reaction to Mustapha's death . He first enters alone . Nourisht in Court , where no Thoughts peace is nourisht , Vs'd to behold the Tragedies of ruine , Brought up with ...
... facts lend the keenest interest to his initial remarks and to his reaction to Mustapha's death . He first enters alone . Nourisht in Court , where no Thoughts peace is nourisht , Vs'd to behold the Tragedies of ruine , Brought up with ...
Halaman 19
... fact , without the intervention of actors and spectacle , a more strenuous exercise of the imagination is called for than would otherwise be the case . The concluding remark , that the reader ' will not perchance think the Scenes too ...
... fact , without the intervention of actors and spectacle , a more strenuous exercise of the imagination is called for than would otherwise be the case . The concluding remark , that the reader ' will not perchance think the Scenes too ...
Isi
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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Istilah dan frasa umum
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York