Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11 Okt 2013 - 272 halaman First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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Halaman 25
... Tamburlaine and that Greville's pro- cedure is indeed Marlovian or , if you like , Senecan . And it must be granted that in several of Rossa's speeches Greville does employ something akin to the Senecan mode ; but , even in using ...
... Tamburlaine and that Greville's pro- cedure is indeed Marlovian or , if you like , Senecan . And it must be granted that in several of Rossa's speeches Greville does employ something akin to the Senecan mode ; but , even in using ...
Halaman 26
... Tamburlaine . Second , Greville's moral subtlety is alien to Marlowe . Greville uses a device such as apostrophe not to portray the liberating sense of high spirits and ebullient feelings devoid of moral purpose beyond the celebration ...
... Tamburlaine . Second , Greville's moral subtlety is alien to Marlowe . Greville uses a device such as apostrophe not to portray the liberating sense of high spirits and ebullient feelings devoid of moral purpose beyond the celebration ...
Halaman 168
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Isi
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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Istilah dan frasa umum
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York