Introduction to SpeechHoughton Mifflin, 1955 - 458 halaman |
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Halaman 152
... Critical Audience . The neutral mind is critical , but critical of its own processes as well as others ' . When we speak of the critical audience , we mean the audience that opposes the beliefs and conclu- 9 " The Relative Effectiveness ...
... Critical Audience . The neutral mind is critical , but critical of its own processes as well as others ' . When we speak of the critical audience , we mean the audience that opposes the beliefs and conclu- 9 " The Relative Effectiveness ...
Halaman 153
... critical mind.10 Nor can the speaker afford to be superior to the critical listener . Thus Allied propaganda directed to the German soldier during World War II was based on the argument that " he was being crushed by Allied superiority ...
... critical mind.10 Nor can the speaker afford to be superior to the critical listener . Thus Allied propaganda directed to the German soldier during World War II was based on the argument that " he was being crushed by Allied superiority ...
Halaman 176
... Critical Listening Within the realm of creative listening is a special kind which may be called " critical " listening . When we listen critically , the same inner speech goes on as with any creative listening , but the purpose is ...
... Critical Listening Within the realm of creative listening is a special kind which may be called " critical " listening . When we listen critically , the same inner speech goes on as with any creative listening , but the purpose is ...
Isi
The Urge to Talk | 3 |
The Speech Echo | 18 |
Responding to the Audience | 33 |
Hak Cipta | |
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Istilah dan frasa umum
action adjust aggressive assertion assignments attitudes audience become beginning behavior beliefs breathing breathy voice causes Chapter communication conversation decibels democracy in America develop difference direct discussion dominant echo effect emotional energy evaluate experience explain expression fact fear feedback feel five minute speech give hear Hearing Disorders human human voice Hypotense important inflection instructor intensity interest Karl Menninger kind language larynx listener look means mind mouth muscles nasal ourselves person persuasion phonation phrase pitch practice preparation problem produce purpose question reactions reason Record relax response self-hearing sense sentence skills social sound speak speaker speech situation statement submissive suggests talk target techniques tell tend tension things thought tion topic understand usually vocal folds voice vowels William Shakespeare William Trufant Foster Wintu words