Sacred Music and Liturgical Reform: Treasures and Transformations

Sampul Depan
LiturgyTrainingPublications, 2007 - 682 halaman
Anthony Ruff, osb has written a brilliant, comprehensive, well-researched book about the treasures of the Church's musical tradition, and about the transformations brought about by liturgical reform. The liturgy constitution Sacrosanctum Concilium stated many revolutionary principles of liturgical reform. Regarding liturgical music, the Council's decrees mandated, on the one hand, the preservation of the inherited treasury of sacred music, and on the other hand, advocated adaptation and expansion of this treasury to meet the changed requirements of the reformed liturgy. In clear, precise language, he retrieves the Council's neglected teachings on the preservation of the inherited music treasury. He clearly shows that this task is not at odds with good pastoral practice, but is rather an integral part of it. The book proposes an alternate hermeneutic for understanding the Second Vatican Council's teachings on worship music.
 

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The Role Purpose and Characteristics of Music in the Liturgy
1
The Purpose of Liturgical Music Based on the Nature
8
The Characteristics of Liturgical Music
19
The Development of Musical Historical Consciousness
55
A Treasury of Sacred Music in the Middle Ages?
61
The NineteenthCentury Cecilian Turn to the Past
75
The NineteenthCentury Gregorian Chant Revival
108
The TwentiethCentury German Lutheran Rebirth
130
The Treasury of Sacred Music in the Roman Documents
271
Divini Cultus Sanctitatem 1928
286
Roman Documents 19471958
293
The Second Vatican CouncilSacrosanctum Concilium
314
Musicam Sacram 1967
339
The Treasury of Sacred Music in the Reformed Roman
359
Problem Area II The Role of the Choir
382
Problem Area III The Liturgical Composer
417

The Early Music and Authentic Performance
155
Musical Historical Consciousness and a Theology
181
The Liturgical Movement and Liturgical Music Traditions
193
The TwentiethCentury Liturgical Movement
210
Pius Parsch
229
The Spread of the Liturgical Movement
236
Liturgy and Music at Cross Purposes
243
The Place of Gregorian Chant
256
The Nature of Active Participation
265
Using Inherited Genres I Gregorian Chant
466
Using Inherited Genres II The Polyphonic
508
Using Inherited Genres III The Motet
545
Using Inherited Genres IV The Vernacular
563
Conclusion
603
Bibliography
613
Index
661
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