Dance, Sex, and Gender: Signs of Identity, Dominance, Defiance, and DesireUniversity of Chicago Press, 15 Mei 1988 - 311 halaman "Ambitious in its scope and interdisciplinary in its purview. . . . Without doubt future researchers will want to refer to Hanna's study, not simply for its rich bibliographical sources but also for suggestions as to how to proceed with their own work. Dance, Sex, and Gender will initiate a discussion that should propel a more methodologically informed study of dance and gender."—Randy Martin, Journal of the History of Sexuality |
Isi
V | 3 |
VI | 6 |
VII | 10 |
VIII | 24 |
IX | 28 |
X | 31 |
XI | 42 |
XII | 43 |
XXXVI | 159 |
XXXVII | 177 |
XXXVIII | 178 |
XXXIX | 184 |
XL | 189 |
XLI | 193 |
XLII | 194 |
XLIII | 195 |
XIII | 45 |
XIV | 47 |
XV | 55 |
XVI | 69 |
XVII | 70 |
XVIII | 72 |
XIX | 75 |
XX | 77 |
XXI | 86 |
XXII | 97 |
XXIII | 98 |
XXIV | 109 |
XXV | 111 |
XXVI | 112 |
XXVII | 113 |
XXVIII | 117 |
XXIX | 119 |
XXX | 122 |
XXXI | 131 |
XXXII | 136 |
XXXIII | 143 |
XXXIV | 150 |
XXXV | 156 |
Istilah dan frasa umum
aesthetic American androgyny appears Arnie Zane artistic attitudes audience Balanchine ballerina beautiful behavior Béjart body boys century chapter choreographers classical ballet communication contemporary convey costume courtesans created critics Croce culture dance images dance movements dance performance dancers deities deux devadasi divine duet economic emotion erotic expression feeling female dancers feminine feminist gender roles George Balanchine gesture girls heterosexual hijra Hindu homosexual human Indian Kabuki Kisselgoff legs lesbian live Loie Fuller lovers male and female male dancers male dancing male dominance marriage Martha Graham masculine Maurice Béjart men's metaphor modern dance Nijinsky nonverbal Nureyev onstage partner pas de deux patterns physical play political portray prostitution Rangda relationship ritual role reversal romantic Salome sex role sexuality and gender Siegel social society stage status stereotypic style symbol television temple theatrical dance themes traditional transformation Vaslav Nijinsky Western woman women York City Ballet young