SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance CultureUniversity of Chicago Press, 29 Mar 2012 - 201 halaman In 1978, four musicians crowded into a cramped basement theater in downtown Seoul, where they, for the first time, brought the rural percussive art of p’ungmul to a burgeoning urban audience. In doing so, they began a decades-long reinvention of tradition, one that would eventually create an entirely new genre of music and a national symbol for Korean culture. Nathan Hesselink’s SamulNori traces this reinvention through the rise of the Korean supergroup of the same name, analyzing the strategies the group employed to transform a museum-worthy musical form into something that was both contemporary and historically authentic, unveiling an intersection of traditional and modern cultures and the inevitable challenges such a mix entails. Providing everything from musical notation to a history of urban culture in South Korea to an analysis of SamulNori’s teaching materials and collaborations with Euro-American jazz quartet Red Sun, Hesselink offers a deeply researched study that highlights the need for traditions—if they are to survive—to embrace both preservation and innovation. |
Isi
Pŏpko changshin Preserve the Old While Creating the New The Challenges of Tradition | 1 |
Itinerant Troupe Performance Culture and the Roots of SamulNori | 17 |
Urbanization Scale and New Loci of Cultural Authority | 39 |
Stages Professionalization and Mediation | 61 |
Sacred Geometry and Educational Outreach | 83 |
Hybridity Red Sun and CrossCultural Collaboration | 103 |
Pŏpko changshin Preserve the Old While Creating the New The Meanings of Tradition | 131 |
Minsokkŭkhoe Namsadang Folk Theater Association Namsadang Founding Members | 139 |
Major Divisions and Personnel Changes during the First Decade of SamulNorisamul nori Activity | 141 |
SamulNori Instrumentation | 143 |
Electronic Media | 151 |
Contents of the Compact Disc | 157 |
Notes | 159 |
Bibliography | 171 |
189 | |
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Istilah dan frasa umum
Ansong artists audience Ch'oe T'aehyon changgo chapter ching composition concert hall context cultural asset drum earth ensemble equal partner Ethnomusicology Figure fusion genre Hanʼguk heaven historical Honam instruments Iri Nongak Jamaaladeen Tacuma jazz Jigu Kang Kim Duk Soo Kim Tőksu Kim Yongbae kkwaenggwari Konggan Korean Culture Korean music Korean percussion Korean traditional music Korean Traditional Performing kugak Kungnip Kugagwon Linda Sharrock Minsogakhoe Shinawi munhwa music and dance musicians namsadang namsadang troupe Nanjang National Center Nongak nori och'ae chilgut p'ungmul pansori percussion instruments percussion music Pinari player playing program notes province puppeteer quartet recording Red Sun Regular Concert repertoire rhythmic cycle rhythmic patterns rhythms ritual Samdo samul SamulNori SamulNori Hanullim SamulNori/samul nori sanjo Sejong Sejong Center Seoul Shim Usong Shin small gong society Song South Korea Theater tightrope walking tion track Traditional Performing Arts urban Western Wolfgang Puschnig won-pang-kak workbook yesul Yi Kwangsu