Now, true dramatic action is what characters do, at once contrary, as it were, to expectation, and yet because they have already done other things. No dramatist should let his audience know what is coming; but neither should he suffer his characters to... Representative Plays - Halaman xviioleh John Galsworthy - 1924 - 469 halamanTampilan utuh - Tentang buku ini
| John Galsworthy - 1912 - 452 halaman
...the persons of the play to action, regardless of time, sequence, atmosphere, and probability!" Now, true dramatic action is what characters do, at once...characters to act without making his audience feel that those actions are in harmony with temperament, and arise from previous known actions, together with... | |
| John Galsworthy - 1912 - 294 halaman
...the persons of the play to action, regardless of time, sequence, atmosphere, and probability!" Now, true dramatic action is what characters do, at once...characters to act without making his audience feel that those actions are in harmony with temperament, and arise from previous known actions, together with... | |
| John Galsworthy - 1912 - 300 halaman
...of time, sequence, atmosphere, and probability!" I^Now, true dramatic action is what characters 3o, at once contrary, as it were, to expectation, and...characters to act without making his audience feel that those actions are in harmony with temperament, and arise from previous known actions, together with... | |
| Barrett Harper Clark - 1915 - 350 halaman
...they are at times stubborn and haughty. &. Further on in the same essay the author remarks : " Now, true dramatic action is what characters do, at once...yet because they have already done other things." Galsworthy means here that the dramatist should not invent situations and adhere to a fixed plan when... | |
| Ludwig Lewisohn - 1919 - 250 halaman
...the persons of the play to action, regardless of time, sequence, atmosphere, and probability!" Now, true dramatic action is what characters do, at once...characters to act without making his audience feel that those actions are in harmony with temperament, and arise from previous known actions, together with... | |
| John Galsworthy - 1919 - 304 halaman
...the persons of the play to action, regardless of time, sequence, atmosphere, and probability!" Now, true dramatic action is what characters do, at once...characters to act without making his audience feel that those actions are in harmony with temperament, and arise from previous known actions, together with... | |
| Helen Louise Cohen - 1921 - 430 halaman
...circumstance, within the enclosing atmosphere of an idea. A human being is the best plot there is. ... Now true dramatic action is what characters do, at once...and yet because they have already done other things. . . . Good dialogue again is character, marshaled so as continually to stimulate interest or excitement."... | |
| Herbert Samuel Mallory - 1923 - 554 halaman
...characters do, at once True dra- contrary, as it were, to expectation, and yet bematic action cause they have already done other things. No dramatist...characters to act without making his audience feel that those actions are in harmony with temperament, and arise from previous known actions, together with... | |
| Aurélien Digeon - 1925 - 282 halaman
...the unexpected in dramatic action and its type have been excellently expressed by Mr Galsworthy : " True dramatic action is what characters do, at once...characters to act without making his audience feel that those actions are in harmony with temperament, and arise from previous known actions, together with... | |
| Barrett Harper Clark - 1925 - 552 halaman
...miserable, they are at times stubborn and haughty. 3. Elsewhere in the same essay the author remarks: "Now, true dramatic action is what characters do, at once...yet because they have already done other things." Galsworthy means that the dramatist should not invent situations and adhere to a fixed plan when he... | |
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