細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 1 Jan 2004 - 470 halaman 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出, 論文集以學者犀利的目光,淵博深厚的修養,獨到的見解, |
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Halaman i
... 一個學派,無論是滾滾長江或是涓涓細流,都各自挾帶著或多或少或大或小的洞見與偏見,同奔莎士比亞研究的浩瀚大海。近年來,文學觀念的轉變尤其迅速,文學研究日益豐富多元,各種理論又每每以莎士比亞為試金石,儼然形成了「莎士比亞工業」。直到今日,無論文學 ...
... 一個學派,無論是滾滾長江或是涓涓細流,都各自挾帶著或多或少或大或小的洞見與偏見,同奔莎士比亞研究的浩瀚大海。近年來,文學觀念的轉變尤其迅速,文學研究日益豐富多元,各種理論又每每以莎士比亞為試金石,儼然形成了「莎士比亞工業」。直到今日,無論文學 ...
Halaman iv
... 一個寬廣、使人神往的精神世界,無限風光,美不勝收;同時也使人感嘆,誰能一覽無餘地把它說盡說絕呢。後人如果撰寫中華莎學研究史,此為卓然一家的論文集,是怎麼也不能不提到的。首先想推薦論文「自我打岔」:試論《暴風雨》的一個奇特現象>。多年前,我曾 ...
... 一個寬廣、使人神往的精神世界,無限風光,美不勝收;同時也使人感嘆,誰能一覽無餘地把它說盡說絕呢。後人如果撰寫中華莎學研究史,此為卓然一家的論文集,是怎麼也不能不提到的。首先想推薦論文「自我打岔」:試論《暴風雨》的一個奇特現象>。多年前,我曾 ...
Halaman v
... 一個切入點,從中間說起。《暴風雨》尤其值得注意,演繹的是十多年的愛怨恩仇,而戲劇時間卻壓縮在最後一天;這樣,追述往事勢必成為劇本結構的必要部份,而交代來龍去脈卻不是三言兩語能表述周全;如果讓主人公在台上滔滔不絕,一口氣講上一百三十多行,又不能不 ...
... 一個切入點,從中間說起。《暴風雨》尤其值得注意,演繹的是十多年的愛怨恩仇,而戲劇時間卻壓縮在最後一天;這樣,追述往事勢必成為劇本結構的必要部份,而交代來龍去脈卻不是三言兩語能表述周全;如果讓主人公在台上滔滔不絕,一口氣講上一百三十多行,又不能不 ...
Halaman vi
... 一個方面,看到莎翁作為一位戲劇大師,通過二十多年的磨練和積累,在藝術道路上所經歷的一個發展過程嗎?作為大陸的讀者,我又另有一重體會。二○○三年大陸上曾颳起捧出第十七代牛津伯爵、反莎士比亞,篡奪著作權的歪風,來勢洶洶,都是長篇大論。我把《自我打》 ...
... 一個方面,看到莎翁作為一位戲劇大師,通過二十多年的磨練和積累,在藝術道路上所經歷的一個發展過程嗎?作為大陸的讀者,我又另有一重體會。二○○三年大陸上曾颳起捧出第十七代牛津伯爵、反莎士比亞,篡奪著作權的歪風,來勢洶洶,都是長篇大論。我把《自我打》 ...
Halaman vii
... 一個面熟而又陌生、似曾相識的人物了。哈姆雷的兩個老同學奉國王之命,押送王子前往英國。在航程中,王子私下搜索到國書,得悉原來打發他去送死;他當即替換了一封偽造的國書,讓這兩個押送者去替死。他自己則在中途跳上了海盜船,得以重返丹麥。這出於意外的一 ...
... 一個面熟而又陌生、似曾相識的人物了。哈姆雷的兩個老同學奉國王之命,押送王子前往英國。在航程中,王子私下搜索到國書,得悉原來打發他去送死;他當即替換了一封偽造的國書,讓這兩個押送者去替死。他自己則在中途跳上了海盜船,得以重返丹麥。這出於意外的一 ...
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Halaman 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Halaman 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Halaman 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Halaman 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Halaman 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Halaman 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Halaman 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Halaman 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?