Aurora Leigh

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Ohio University Press, 1992 - 692 halaman
Widely regarded as Barrett Browning's major work, Aurora Leigh is important both for its address to contemporary social issues, the "woman question" in particular, and for its bold experimentation with poetic form. Since 1979 it has held its place in the canon as "the feminist poem" (Ellen Moers), yet, until now, no reliable edition of the work has been available.

The text of this edition is based upon meticulous examination of the extant manuscripts, corrected proofs and revision to the poem. It is accompanied by a full textual history of the poem's composition and publication, a comprehensive annotation of literary allusions and contemporary reference, and a new and closely argued essay on the significance of the verse-novel as an early example of politically self-conscious women's writing.

This authoritative edition of Aurora Leigh provides a text and apparatus designed to combat conventional notions of women's poetry as "instinctive" improvisation. It argues for the verse-novel as a poem which offers both the excitement of intellectual experimentation and the powerful engagement of a judicious political passion. The arrival of this edition should be of great interest and use to students of nineteenth-century studies and feminist scholars alike.

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Critical Introduction
1
Editorial Introduction
78
Title page
158
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Tentang pengarang (1992)

Elizabeth Barrett was born in Coxhoe Hall, Durham, England, in 1806. Most of her childhood was spent on her father's estate, reading the classics and writing poetry. An injury to her spine when she was fifteen, the shock of her brother's death by drowning in 1840 and an ogre-like father made her life dark. But she read and wrote, and no little volume of verse ever produced a richer return than her Poems of 1844. Robert Browning read the poems, liked them, and came to her rescue like Prince Charming in the fairy story. Elizabeth Barrett and Robert Browning were married on September 12, 1846. Barrett Browning's enduring fame has rested on two works-Poems (1850), containing Sonnets from the Portuguese, and Aurora Leigh (1857). The former is a celebration of woman as man's other half and the latter is a celebration of woman's potential to stand on her own. During the Edwardian and later periods, it was Sonnets from the Portuguese that embodied Barrett Browning. Since the rise of feminism, it has been Aurora Leigh. More recently, a third side of Barrett Browning has been revealed: the incisive critical and political commentator, seen in her letters. Elizabeth Barrett Browning died in Florence, Italy, in 1861.

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