Shakespeare's Metrical ArtUniversity of California Press, 2 Agu 1988 - 363 halaman This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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Halaman vii
... Trochees 185 14 The Play of Phrase and Line 207 15 Shakespeare's Metrical Technique in Dramatic Passages 229 16 What Else Shakespeare's Meter Reveals 249 17 Some Metrically Expressive Features in Donne and Milton 264 18 Conclusion ...
... Trochees 185 14 The Play of Phrase and Line 207 15 Shakespeare's Metrical Technique in Dramatic Passages 229 16 What Else Shakespeare's Meter Reveals 249 17 Some Metrically Expressive Features in Donne and Milton 264 18 Conclusion ...
Halaman 1
... trochees . Natural iambs , on the other hand , are easily provided not only by iambic words ( alone , sub- mit ) but also by combining a or the or prepositions with monosyllabic nouns , which are also numerous in English , or by ...
... trochees . Natural iambs , on the other hand , are easily provided not only by iambic words ( alone , sub- mit ) but also by combining a or the or prepositions with monosyllabic nouns , which are also numerous in English , or by ...
Halaman 8
... trochee in the first foot , a pyrrhic in the fourth , a spondee in the last . Nevertheless , when the line is spoken or heard silently by a reader with some auditory experience of the tradition , it does not violate the pattern : enough ...
... trochee in the first foot , a pyrrhic in the fourth , a spondee in the last . Nevertheless , when the line is spoken or heard silently by a reader with some auditory experience of the tradition , it does not violate the pattern : enough ...
Halaman 9
... Trochees occur elsewhere in some lines , too , but Renaissance poets used them especially often at the beginning of the ... trochee and iamb must often have been perceived as a double foot ( equivalent to a Greek choriamb ) , one of the ...
... Trochees occur elsewhere in some lines , too , but Renaissance poets used them especially often at the beginning of the ... trochee and iamb must often have been perceived as a double foot ( equivalent to a Greek choriamb ) , one of the ...
Halaman 10
... ( trochee ) . In a different analysis , there are two principal kinds of variation from iambic rhythm . If the term iambic designates an increase of stress from the first to the second of a pair of syllables , the possible variations are ...
... ( trochee ) . In a different analysis , there are two principal kinds of variation from iambic rhythm . If the term iambic designates an increase of stress from the first to the second of a pair of syllables , the possible variations are ...
Isi
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt