Shakespeare's Metrical ArtUniversity of California Press, 2 Agu 1988 - 363 halaman This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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Halaman iv
... less sharp than the same material seen in traditionally printed University of California Press editions . University of California Press Berkeley and Los Angeles , California University of California Press , Ltd. London , England © 1988 ...
... less sharp than the same material seen in traditionally printed University of California Press editions . University of California Press Berkeley and Los Angeles , California University of California Press , Ltd. London , England © 1988 ...
Halaman xi
... less directly concerned than mine with metrical expressiveness . My main purpose here is to describe the metrical system Shakespeare uses , particularly in his plays -- the basic forms of his iambic pentameter line , its relation to ...
... less directly concerned than mine with metrical expressiveness . My main purpose here is to describe the metrical system Shakespeare uses , particularly in his plays -- the basic forms of his iambic pentameter line , its relation to ...
Halaman 2
... less prominent syllable to the more prominent . Within the line we will usually be more aware of a quick succession of syllables with contrasting degrees of stress than of an insistent series of iambs ; it is easier to notice the ...
... less prominent syllable to the more prominent . Within the line we will usually be more aware of a quick succession of syllables with contrasting degrees of stress than of an insistent series of iambs ; it is easier to notice the ...
Halaman 8
... influenced by our iambic set . But the line is less divergent than it appears . For one thing , the so - called pyrrhic and spondaic feet do not run counter to the basic iambic requirement that the 8 Shakespeare's Metrical Art.
... influenced by our iambic set . But the line is less divergent than it appears . For one thing , the so - called pyrrhic and spondaic feet do not run counter to the basic iambic requirement that the 8 Shakespeare's Metrical Art.
Halaman 17
... less distinct historical stages , so that at different times audiences have entertained somewhat different expectations as they read or listened to blank or rhymed pentameter . Audiences are always diverse and usually include some ...
... less distinct historical stages , so that at different times audiences have entertained somewhat different expectations as they read or listened to blank or rhymed pentameter . Audiences are always diverse and usually include some ...
Isi
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt