Shakespeare's Metrical ArtUniversity of California Press, 2 Agu 1988 - 363 halaman This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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Halaman iv
... language - Early modern , 1500-1700- Versification . I. Title . PR3085.W75 1988 822.3'3 87-10931 ISBN 0-520-07642-7 Printed in the United States of America The paper used in this publication meets the minimum requirements of ANSI / NISO ...
... language - Early modern , 1500-1700- Versification . I. Title . PR3085.W75 1988 822.3'3 87-10931 ISBN 0-520-07642-7 Printed in the United States of America The paper used in this publication meets the minimum requirements of ANSI / NISO ...
Halaman viii
... Appendix B : Main Types of Deviant Lines in Shakespeare's Plays Appendix C : Short and Shared Lines Notes Main Works Cited or Consulted Index viii 292 294 297 325 339 Preface Poetry is language composed in verse , that is Contents.
... Appendix B : Main Types of Deviant Lines in Shakespeare's Plays Appendix C : Short and Shared Lines Notes Main Works Cited or Consulted Index viii 292 294 297 325 339 Preface Poetry is language composed in verse , that is Contents.
Halaman ix
George T. Wright. Preface Poetry is language composed in verse , that is , language of which an essential feature is its appearance in measured units , either as written text or in oral performance . Although other units , larger or ...
George T. Wright. Preface Poetry is language composed in verse , that is , language of which an essential feature is its appearance in measured units , either as written text or in oral performance . Although other units , larger or ...
Halaman xii
... language we listen to in the theater ( and in which performance ) ? For a blind poet , what constitutes a text ? Convinced that the present study should broach but cannot resolve such theoretical questions , I have tried to stay ...
... language we listen to in the theater ( and in which performance ) ? For a blind poet , what constitutes a text ? Convinced that the present study should broach but cannot resolve such theoretical questions , I have tried to stay ...
Halaman 1
... language is a more questionable claim . A language that insistently pushes the stresses on words to the front , to the first syllable , as all Germanic languages do , would seem to be distinguished by an impulse toward the trochaic ...
... language is a more questionable claim . A language that insistently pushes the stresses on words to the front , to the first syllable , as all Germanic languages do , would seem to be distinguished by an impulse toward the trochaic ...
Isi
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt