Shakespearean CriticismGale Research International, Limited, 1996 - 400 halaman Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... audience response on the speaker , but direct it toward his interpretation of events . But throughout Ophelia's soliloquy after the nunnery scene , Hamlet remains before the audience : " O , what a noble mind is here o'erthrown ...
... audience response on the speaker , but direct it toward his interpretation of events . But throughout Ophelia's soliloquy after the nunnery scene , Hamlet remains before the audience : " O , what a noble mind is here o'erthrown ...
Halaman 122
... audience . Stanley Cavell has proposed that in Lear the inevitable separation between actors and audience mirrors the ultimate iso- lation of the characters , and all of us , from each other : we cannot stop the characters from acting ...
... audience . Stanley Cavell has proposed that in Lear the inevitable separation between actors and audience mirrors the ultimate iso- lation of the characters , and all of us , from each other : we cannot stop the characters from acting ...
Halaman 131
... audience . From the immediate causes of feeling in the characters the audience is detached , and its emotion is refined , furthermore , by the lan- guage and spectacle of the play . This well - known benefit from a special purchase on ...
... audience . From the immediate causes of feeling in the characters the audience is detached , and its emotion is refined , furthermore , by the lan- guage and spectacle of the play . This well - known benefit from a special purchase on ...
Isi
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Hak Cipta | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Tampilan cuplikan - 1984 |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young